Bangladeshi music,dance,drama and film

1. The music and dance styles of Bangladesh can be alienated keen on three categories, usual, folk and recent. The classical styles has been subjective by other customary classical forms of music and dances of the Indian subcontinent, and accordingly show some influences dance forms alike to Bharata Natyam and Kuchipudi. The folk and ethnic music and dance forms of Bangladesh are of imaginative cause and fixed to the mud of Bangladesh. More than a few dancing styles in fashion in the north-eastern element of the Indian subcontinent, similar to Monipuri and Santal dance are also practiced in Bangladesh, but Bangladesh has developed its own distinct dancing styles. Bangladesh has a wealthy institution of folk songs, amid lyrics embedded into energetic tradition and theology, mysticism and affection. Such folk songs too turn around about several other themes, including love themes. Most prevalent of folk songs and music traditions include Bhatiali, Baul, Marfati, Murshidi and Bhawaiya. Lyricists like Lalon Shah, Hason Raja, Kangal Harinath, Romesh Shill, Abbas Uddin and many unknown mysterious lyrists have enrich the tradition of folk songs of Bangladesh. In fairly modern background, Rabindra Sangeet and Nazrul geeti form valuable cultural custom of Bangladesh. In modern time, western influences have given go up to several class rock bands, mainly in metropolitan centers like Dhaka. Several musical instruments, some of them of indigenous origin, are used in Bangladesh, and major musical instruments worn are bamboo flute (banshi), drums (dhol), a single stringed tool named ektara, a four stringed device called dotara, a pair of metal bawls used for cadence result called mandira. Presently, several musical instruments of western source similar to guitar, drums, and saxophone are besides used, sometimes alongside the traditional instruments.For more information